Saturday, January 11, 2014

Koba Entertainment

Guess what! It's January 2014! Welcome to the New Year!

I'm about to go on tour with Koba Entertainment!

That's right, from January 12 until April 28, I will be traveling about Canada as an Evil Octopus. Yup, you heard me right. . and Evil Octopus with The Backyardigans!

Hope to see you soon! Maybe I will actually get around to formatting this website by then. . . probably not.


- alyssa joy

Thursday, October 10, 2013

Carrie : The Musical Reviews

Apologies in advance, as this post may have the danger of being tl; dr


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So, this summer at the Edmonton International Fringe, I played Carrie in Carrie: The Musical with 50% Fruit Theatre!











To answer your questions: Yes, it is that Carrie, and yes, the original flopped on Broadway. This is a 2012 revival, which has some kickass music that I was privileged enough to get a chance to sing !


In fact, here's a hilarious tech rehearsal of me singing it on CTV Edmonton, complete with me still in my City of Edmonton work clothes.


In case the link doesn't work:

http://edmonton.ctvnews.ca/video?clipId=983769&binId=1.1203433&playlistPageNum=1


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Kristen Finlay of Finster Finds said lovely things (thank-you!):


'' This show has a powerhouse performance from Alyssa Billingsley as Carrie whose voice is so huge that she belted her first song with no mic and was heard clear as a bell above the band. The duets between Billingsley and Amanda Neufeld (Carrie's Mother) alone are worth the price of admission. Other strong performances come from Jaimi Resse as narrator Sue Snell, Zachary Parsons-Lozinski as Tommy Ross and Kerry Johnson as the teacher. I should also mention the fabulous choreography (Amanda Neufeld) which is executed so well by this capable cast as a whole. As a Musical buff, I loved the music, which I had never heard before.''


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We received a review from The Wanderer:


''The first character that we come across is Sue Snell and I was immediately smitten by actress Jaime Reese’s portrayal of the traumatized high school student. As I took in each musical number and the various instances of character development, I became increasingly invested in the performance. Abigail MacGregor as Norma also effortlessly added many well-timed comedic moments; the ease with which she could make the audience laugh, or stand out from the backdrop of whichever scene she was a part of was one of my favourite parts of the show. However, the actresses that stood out the most for me were Alyssa Billingsley and Amanda Neufeld as Carrie and Margaret White, respectively. They embodied the roles of sheltered misfits and overly-protective mothers. Every ounce of emotion came across beautifully. The standout song “And Eve Was Weak” was compellingly sung by this duo.''


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Here you can watch me on Global Edmonton, after starting a cappella in a key that is much too high than the original (ha) : http://globalnews.ca/news/783843/fringe-festival-reviews/


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And here is my favourite part:





Audience reviews! 



Steven Angove
Saw this last night, I must say, it had some very powerful moments, beautiful vocals and an awesome band! Congrats!



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Tyrel Lougheed


The cast was AMAZING! I've seen/heard recordings of almost all previous productions and this was up there as one of the best in terms of voices/acting. Bravo, everyone!

Alyssa's voice and mannerisms floored me, she had the look of Sissy Spacek and the voice of Linzi Hateley! Margaret is such a tough character to get, and I really feel that Marin Mazzie (in the Off-Broadway revival) made her too nice, but this Margaret was PERFECT (Sorry, I don't see her picture/name to call her out), she was a horrible woman yet very sympathetic because of her religious ignorance, it was a tight-rope VERY well walked across

Miss Gardener and Sue always melt my heart and this was no exception. Tommy Ross was easy to fall for and I sympathized with the closeted George (he he). Billy Nolan and Chris were perfectly evil and their paper blood spill was awesomely effective! The supporting characters all had awesome chemistry that brought the bare-bone sets to life, it was easy to create the scenery in your head because of them, I was ESPECIALLY impressed with Adam Mazerolle-Kuss who switched between characters almost too well, I double-taked the first few times thinking it was someone new (glasses really do change a face, Clark Kent)





(aside from Alyssa: this part is my favourite!) 

Thank you cast for making a dream of mine come true in seeing this show live and thank you even more for doing it justice!

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Herb


2013/08/18 at 9:23 am


I thought the show was fun. The right flavour of tension, scary, weird and wonderful.


Alyssa and Amanda were stellar! As we’re the entire cast.


Sad Vue could not see past the end of their long day and realise that 11, not 10 actors were on stage.


Could that be the only thing they were wrong about?


I doubt it.


Go see this show if u like musicals, horror or thrillers.


4 stars from me.


REPLY


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Kevin


2013/08/18 at 3:39 pm


This kind of low budget, big talent, production is what the Fringe is all about.

Not another one person improve, but eleven performers and a four piece live band.

The band plays well if somewhat too loud at times. The singing, especially from Amanda

Neufeld, Alyssa Billingsley, and Zachary Parsons-Lozinski, is amazing. This a full length

musical. The set is a bit minimalistic, but the show is incredible band-for-your-buck.

Go see this show.

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kim barrett


2013/08/18 at 1:58 pm

There were really stellar individuals that stood out during this performance. Great cast, talented singers. 4 stars

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Tom


2013/08/19 at 4:52 pm

Honestly the show was simply great. The cast is energetic, the choreography great, and they manage to render different locations on stage with very little scenography. The duets between Carrie and her mother are to just die for.


It seems to me that the Vue reviewer simply googled up the show, noticed that the first Broadway production of the show was a flop (due to bad reviews by the way… not because the public didn’t like it) and let this fact color their perception. The show is 2h long? Well, this is what a full musical is. Deal with it

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Jeff


2013/08/20 at 1:47 pm

Excellent and very well done: thoroughly enjoyed the show! The cast is amazing, and Alyssa Billingsley is “bloody” awesome as Carrie! The 2 hour run time is different from most Fringe shows, but this is a full-fledged musical after all. Worth the time. I found the ending both touching and horrifying.


The technical issues that were mentioned have obviously been fixed as there were no problems the night we were there (Monday, August 19).


Highly recommend it!

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Laura


2013/08/21 at 12:36 am

Great quality, so impressed they did the full length show – such a rare thing at the fringe when stuff is always getting cut down and over condensed. Great time, great talent. Some minor tech issues but that’s theatre. See it.

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This one may be a wee bit biased, because this gentleman knows me personally, but I'm posting it anyway:

Ryan Coke
''CARRIE: THE MUSICAL definitely gets my top nod for this season. The entire cast rocked it. I was never the biggest fan of the original Sissy Spacek classic, but musicals have a way of turning coal into diamonds and CARRIE was chock full of that tonight.

What appealed to me most, besides the amazing singing (I've never doubted Alyssa's ability in any musical - keep on rockin', lady), was the authenticity of emotion. You knew Tommy Ross wasn't supposed to be "the dick" like your typical jock; you knew Norma was an evil, ruthless, bitch who loved being exactly that; and you knew Carrie White was absolutely terrorized for her entire 4-year high school tenure. You didn't have to know the story to truly feel like these characters weren't characters at all. That's hit n' miss with Fringe productions, and I was so glad to see how everybody did their part. Everybody.

Highlights:
Carrie & Margaret White. Terrific actors with seemingly natural chemistry that, especially when juxtaposed with the movie, borders on scary with its accuracy. They both look, act, and live the roles too damn well. Don't believe it, watch the film again. I rest my case.

Norma. I read that on this particular evening, there was a sickness in the cast and Norma was, in fact, not the original Norma. Could've fooled me! Between the obvious dance background and the "suck on that, biatch" demeanor in basically every scene, what can I say? She was fun to watch.

If I can take my way-too-easily-frightened fiancee to this, anyone and everyone will enjoy it. If you don't like musicals? Well, then ... you're outta your goddamn mind.

GREAT SHOW, YOU GUYS! Broken legs aplenty for the remainder of the run!''






Friday, July 26, 2013

clowns & critters

Dudes! And as an 80s kid would say, "And dudettes!!!"

I was nominated for a Critter for my performance in Evil Dead: The Musical! For those of you who don't know, those are the Calgary Critic's Awards.

They were held on July 24, 2013, and it was such an honour to be there with all the talented nominees.

In my category, I believe Sara Farb won for her performance in Next To Normal, which I am sad to say I could not see. But a huge congrats to everyone nominated and I'm still a little deer-in-the-headlights about the whole thing.

But a big thanks to the critics who nominated us, a big thanks to the audience who supported us, a shoutout to Mayor Nenshi for giving us some recognition, and a huge CONGRATS! to everyone nominated !

:) :) :) Happy faces. Alyssa likes supportive communities.

Et, sur le sujet...

Je n'étais pas de tout capable de voir les spectacles ce saison à cause de mon année à Montréal!

Et! J'ai terminé mes études en clown avec Francine Côté! Est-ce que je suis une vraie clowne maintenant, maman? ;)

Je suis laquelle, vous vous demandez? Je suis la plus jolie..naturellement ;) Haha, je vous taquine...mais c'est la personnage de ma clowne!

Wednesday, November 7, 2012

Recent Reviews

Here are some nice things people said about me in Evil Dead, in case you missed the review post below:

"Alyssa Billingsley. . . has the show’s best number. . . and boy does Billingsley make it a show-stopper"--Calgary Sun


"... notable is Alyssa Billingsley, in a double role as a bar pickup and the academic’s daughter, who does impressive work"-- Calgary Herald


"Alyssa Billingsley as Annie the sexy cabin owner does a fabulous turn at playing the doomed but smart character that holds the key to banishing the demons. Added on to her talents are singing pipes that are clear and strong and a joy to listen to. "--CBC EyeOpener  


Thanks, nice people for saying such nice things! I feel like an appropriately self-centered actor now. Or actress. Whatever, English language, and your random weird masculine-and-feminine words...

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In other news: I'm in Montreal now, going to Francine Cote's Clown and Comedy School

Also, I received my Level One and Two Estill certifications. Whoo! Although that does NOT mean I'm a CMT or anything near, it does mean I've fulfilled some certifications to become one someday. Hurray for me!

Now you have no idea what I'm talking about. . .basically, I'm learning some vocal pedagogy a la Jo Estill , who was a singer who eventually became a scientist to figure out what the frick people were doing when they sang.

Helpful, no? Science behind art! Who knew?!


Tuesday, September 4, 2012

Evil Dead Reviews

Alright, so we were reviewed by the Calgary Herald and the Calgary Sun and Gay Calgary!

You can also find a radio review on the CBC EyeOpener.


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Set and cast bring dead to life 

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BY  ,CALGARY SUN
FIRST POSTED: | UPDATED: 

Evil Dead: The Musical


4.0 stars

Artist: Bart Kwiatkowski and Alyssa Billingsley

Location: Pumphouse Theatre

For a musical about the undead, Evil Dead the Musical has a heck of a lot of life in it.

It may be crass, corny, violent, vulgar and outrageous but it’s also howlingly funny.
Evil Dead the Musical, which opened in Toronto in 2003, is simultaneously a spoof on horror movies and musicals.
Its source material is Sam Raimi’s 1981 cult movie Evil Dead and its three sequels about an ancient evil demon that is unwittingly unleashed upon the world by five college students who decide to spend their spring break in a remote cabin in the woods.
There is no subtle moment in the show and there’s no level to which it won’t stoop to get a laugh or a groan.
Evil Dead the Musical was originally staged in Calgary in 2009 by producers Joel Cochrane and Ryan Luhning, who are also at the helm of this revival running at Pumphouse Theatre until Sept. 8.
It’s not as slick a production as the original, but it is still a bloody good night out for fans of horror movies and subversive entertainment.
It boasts a strong ensemble cast under the knowing hands of director Mike Griffin, musical director Susan Lexa and choreographer Amber Bissonnette, who struts her talents on stage as Linda, the S-Mart employee who is on the sojourn with her boyfriend Ash (Bart Kwiatkowski).
Triple-threat doesn’t begin to describe Kwiatkowski’s central performance as the humble clerk who becomes the saviour of mankind.
Kwiatkowski can belt out the silly lyrics of songs such as Housewares Employee (with Bissonnette) or What the Blazes Was That? (with Eric Wigston) with as much conviction as power and that’s not easy.
Wigston’s Scott is the frat boy with a foul mouth and raging hormones, yet, as vulgar as he is, there is something endearing about Wigston stopping you from wanting to wash his mouth out with lye.
Alyssa Billingsley, who plays Scott’s ditzy girlfriend Shelly and the no-nonsense archeologist Annie, has the show’s best number in the doo wop song All the Men in My Life and boy does Billingsley make it a show-stopper with great help from Kwiatkowski and Brent Gill as back-up singers.
One of the things making Evil Dead the Musical so much fun is the cabin set has as much life as any actor.
There’s a singing moose, a dancing beaver, walls swallowing characters, a trap door leading to hell and every time the poor characters try to leave the cabin, some piece of furniture comes to life to stop them.
There’s also Ash’s dismembered hand rushing around the set causing havoc and a chainsaw Ash straps to the stump of his arm. And yes, it is as silly as it all sounds and that’s what makes it such bloody good fun.
My biggest quibble with this Evil Dead the Musical has more to do with the structure and writing of the play as it does with the production.
The action keeps shifting from the cabin to the woods and that requires blackouts, making the first act in particular choppy. 
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Evil Dead celebrates the lighter side of horror — with music

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Brent Gill, Alyssa Billingsley and Bart Kwiatkowski star in Evil Dead: The Musical, at the Pumphouse Theatres. (Courtesy, Aaron Bernakevitch)

Brent Gill, Alyssa Billingsley and Bart Kwiatkowski star in Evil Dead: The Musical, at the Pumphouse Theatres. (Courtesy, Aaron Bernakevitch)

In Evil Dead: The Musical, the trees not only have ears, but also harbour bad intentions.
That’s a problem for a quintet of ordinary Michigan 20-somethings, including hardware salesman Ash (a wonderful Bart Kwiatkowski), who have headed into the Michigan woods to spend a rustic week at (someone else’s) cottage, drinking, eating and making love.
If that sounds like a lot of people’s long weekend at Shuswap Lake, that’s where the similarity ends.
That’s because the cabin that Ash and the crew have borrowed belongs to an academic. The owner has come into possession of an artifact that summons evil, turning Ash’s week in the country into a bloodbath of unimaginable proportions.
If that’s not the stuff of a hit summer musical, what is?
Evil Dead: The Musical, following a long and kooky tradition led by shows such as Little Shop of Horrors and The Rocky Horror Picture Show, is undoubtedly the only musical around that charges a premium for patrons to sit up front, the better to have stage blood sprayed and splattered on them. The fact is, though, there wasn’t a seat to be found in the Splatter Zone at Thursday night’s packed (and sweltering) performance at the Pumphouse.
And you know what else? In a world where mixed martial arts fans just spent more than $4 million selling out the Saddledome to watch men beat the hell out of each other in a cage, and where we have turned the worship of football, a sport that destroys the bodies and mashes the brains of its performers, into the most mainstream, socially acceptable form of Sunday religion, Evil Dead: The Musical seems almost lighthearted by comparison.
It might be a staged bloodbath, but it’s much more of a musical valentine to teenage love of horror films than any sort of embrace of the dark side.
And judging by the reaction of the packed house, which drank, smoked up a storm at intermission and spoke Ash’s dialogue with him, Evil Dead: The Musical gave the crowd all the action that UFC event apparently lacked a few weeks back.
Director Mike Griffin prepared for Evil Dead by directing commedia del’arte by Goldoni and assisting Mark Bellamy on Sweeney Todd, and seems to have found inspiration in both for his interpretation of Evil Dead, which comes in heavy on the camp and light on the horror.
Meanwhile, Kwiatkowski’s Ash is the iconic heart of Evil Dead, the cheerful schlub with a dead-end day job who suddenly finds himself thrust into a situation where he is forced to tap into his inner action hero, someone willing to mow down demons with a shotgun and a carefully-timed quip — and occasionally, to burst into song.
It requires a whole menu of skills, and Kwiatkowski, who played a long, tall, bespectacled nerdy drink of water in the recent Avenue Q, transforms himself in Evil Dead into a thoroughly believable man of action.
Not only that, but he possesses the musical and comic chops necessary to sell the show’s deeply felt silly business.
Also notable is Alyssa Billingsley, in a double role as a bar pickup and the academic’s daughter, who does impressive work. Amber Bissonette, Peter Fernandes, Kelsey Flower, Brent Gill, Mallory Minerson and Eric Wigston round out a youthful ensemble that bring a cockeyed sense of fun to Evil Dead that ultimately turns it into one big, late-summer blood-drenched kegger.
Stumbling across eternal evil might really screw up a week in the country, but Evil Dead: The Musical makes up for it by being bloody good fun.
Hit & Myth Productions and The Pumphouse present Evil Dead: The Musical at the Pumphouse through Sept. 8. Tickets and info: pumphousetheatre.com or 403-263-0079. Three and a half stars out of five.


Read more:http://www.calgaryherald.com/entertainment/theatre/Evil+Dead+celebrates+lighter+side+horror+with+music/7108072/story.html#ixzz25To7CJ9e

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Evil Dead a Bloody Fun Show
Theatre Review by Jason Clevett
From September 2012 (Online)
Perma-link: http://www.gaycalgary.com/a3064 [copy]

Images


Evil Dead Poster
When the "cabin in the woods" shuttered its doors after a successful run in 2009, it remained to be seen if Evil Dead: The Musical would rise... rise... rise again. Deadites longed to once again sing along to songs like What The Fuck Was That and Housewares Employee and if they were quick enough to snatch up splatter zone tickets, get soaked in some fake blood. There was much rejoicing when Hit & Myth announced the show would return to Calgary, this time at the pumphouse theatre. The question then was how would it measure up to the original run, which was so fantastic three years ago?
Let's start with the most important role in the show – Ash. Relative newcomer Bart Kwiatkowski (a grade 6 teacher I can only assume gets called "Mr. K") was outstanding in Avenue Q at Storybook Theatre earlier this year, and nails it in Evil Dead. His evolution from geeky S-Mart employee to chainsaw wielding badass is a thing to behold and he more then lives up to both the previous stage incarnation and the original performance of Bruce Campbell. Eric Wigston's character, Scott, ramps up the sleaze and plays the douchebag to a hilt. Brent Gill steals his scenes as redneck Jake, and Alyssa Billingsley plays up the wink and nudge of Annie and Shelly well. The cast is rounded out by Mallory Minerson as the cellar taunting Cheryl, Amber Bissonnette as Linda, and Peter Fernandes as Ed. Kelsey Flower can be heard and seen making various things come to life as well.
A little rougher around the edges, this production of Evil Dead: The Musical fits in well in the old pumphouse, and is great for a fun night of laughs and bloodshed. Fans of the movies will have a blast reciting lines like "Good... bad... I'm the guy with the gun" and "shop smart, shop S-Mart!" Splatterzone tickets are all gone, but other seats including rush tickets are available at the pumphouse box office. The demons will be banished after the September 8th performance.



Evil Dead: The Musical
Pumphouse Theatre until Sept 8th 
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Blogs |Louis Hobson 

Calgary XL103FM
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Theatre: EVIL DEAD THE MUSICALAug 17 , 2012
Category: 


It's almost a decade since EVIL DEAD THE MUSICAL opened in Toronto.
It was an instant hit with audiences and critics alike and for good reason.  It simultaneoulsy makes fun of horror movies and musicals.
Like its source, the Sam Raimi films, EVIL DEAD THE MUSICAL is violent, crude and deliciously subversive.
Five college students decide to spend their spring break in a remote cabin in the woods where they unwittingly unleash an ancient demon and its hordes.
Hey didn't we just have a new horror flick this year called CABIN IN THE WOODS which relies on precisely the same set up.  Like zombies, horror movie cliches keep rising from the dead.
The whole idea of evil unleashed upon humanity is nothing to sing about but then again neither were the premises behind THE ROCKY HORROR SHOW and LITTLE SHOP OF HORRORS which clearly inspired EVIL DEAD THE MUSICAL in its style of humour, music and characters.
I'm not saying anything the creators don't blare aloud in the big zombie dance number "Do the Necronomicon" when the zombies claim their dance is better than the Time Warp (from Rocky Horror).
When EVIL DEAD THE MUSICAL played in Caglary in 2009 it was an enormous hit so it was (like the zombies themselves) a no-brainer for producers Joel Cochrane and Ryan Luhning to bring it back.
Their new version which runs at the Pumphouse until Sept 8 may not be as slick as the original but it's every bit as much fun.  It's still howlingly funny and it boasts three very impressive performances.
That's not to say the entire cast is not talented but the trio of Bart Kwiatkowski, Alyssa Billingsley and Eric Wigston are pure dynamite.
Kwiatkowski plays Ash, the S-Mart employee who (literally) straps on a chainsaw to become the saviour of mankind.  Triple-threat doesn't begin to describe what Kwiatkowski can do.  He can belt out corny songs like "I'm Not a Killer", "What the F Was That? (with Wigston) and Housewares Employee (with Amber Bissonnette) with as much conviction as power. He's just as adept with punch lines and mock melodrama.  The only thing is I wish is that  he'd made his Ash even nerdier at the beginning so his transformation into action hero would have been more impressive.
As the vulgar-mouthed frat boy Scott, Wigson is saddled with dialogue that would make a sailor blush and yet he delivers it with such flare that you don't have the urge to go up there on stage and wash his mouth out with lye.  Like Kwiatkowski he has powerful pipes and he's no slouch when it comes to dancing, even if he has to keep adjusting his intestines.
Then there's Billingsley who plays Scott's ditzy girlfriend Shelly and the no-nonsense archeologist Annie.  Billingsley has the show's best number, the doo wop song"All the Men in My Life" and she makes it a genuine show-stopper with Kwiatkowski and Brent Gill as her back-up singers.
Peter Fernandes plays Annie's hen-pecked boyfriend Ed and he gets what I like to call the show's Mr. Cellophane number.  When Fernandes sings about being "A Bit Part Demon" he makes it truly sad sack and he even gets a soft-shoe shuffle mid song.
The thing about EVIL DEAD THE MUSICAL that adds so much to the fun are the technical effects.  The set literally comes to life.  There's a singing moose and every time the characters try to leave the cabin, some part of the set springs to life to prevent them and a wall even gives way to swallow up one of the characters.  There's also Ash's severed hand and most of these effects and their voices are courtesy of Kelsey Flower.
The only effect which director Mike Griffin and his crew don't seem to have a handle on is the blood splatter.  They needed to have the actors wear blood bags that could squirt blood all over the front rows from various parts of their bodies and you just know where Wigson's Scott should blast the audience from.  It's not enough to have the actors run around dumping blood on the front two rows.  It needs to be more clever than that.
The other problem I have with this EVIL DEAD THE MUSICAL is a fault more of the play itself than the production.
The action (especially in the first act) keeps switching back-and-forth between the cabin and the woods which necessitates black outs to change scenery.  Those black outs make the first act seem really choppy.
But all that's just quibbling when the audience is having such bloody good fun.

FOUR STARS
(For another view of EVIL DEAD check out Jessica Goodman at applause-meter.com)


Thursday, August 16, 2012

Evil Dead Aug 17 - Sept 8

We had our first preview on Aug 14....


If you're in the splatter zone, you can get pics afterward with the cast... I found this on twitter! @evildeadyyc


Read about us in the Calgary Herald.... HERE!  

Or read below:

Revival of Evil Dead: The Musical a killer proposition

 

 
 
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Photo Aaron Bernakevitch 
 Bart Kwiatkowski and Eric Wigston in Evil Dead:The Musical
 

Photo Aaron Bernakevitch Bart Kwiatkowski and Eric Wigston in Evil Dead:The Musical

Producer Joel Cochrane has been around the theatre racket long enough to know that just like in the movies, theatrical zombies never die — they just get remounted with a new cast.
“Can’t kill the zombies, man,” Cochrane says. “You can’t kill the killed!”
Yes, cult musical lovers, it’s true. Evil Dead: The Musical is back.
Returning for the first time since its 2009 run, this August revival has a new venue — the Pumphouse — new director and a new cast, including a brand-new Ash, the hero with the chainsaw hand.
This time around, he’s played by Bart Kwiatkowski, perhaps best-known among Calgary musical-lovers for his most recent role in Storybook Theatre’s production of Avenue Q, where he brandished a puppet on his hand instead of a chainsaw.
And if anyone can make that transition, it’s Kwiatkowski, says Storybook artistic director George Smith, who directed the actor in Avenue Q.
“I liken Bart to Calgary’s Jim Carrey,” Smith says. “He really is a chameleon. I’ve seen him do — not only good comedy — but good, tear-bringing drama. He’s highly versatile and easy to work with.”
While mid-August is an unusual time to produce a cult musical — or any play, for that matter — it’s actually beautiful timing when your lead moonlights as a Grade Six teacher.
“When I saw the (rehearsal and performance) times,” Kwiatkowski says, “I was like, ‘Wow — rehearse throughout the summer, open through the end of August,’ and there was no conflict,” Kwiatkowski says. “It was truly serendipity.”
Adding to the ideal timing was the fact that Evil Dead: The Musical was a project that had been on his radar for a while.
“I remember watching the movies in junior high,” he says, “and knowing all those iconic lines by heart. I was in maybe the 10th Grade, and I loved the movies, and many years ago, I took out the CD of the musical from the Calgary Public Library and I was just enamoured of it.
“When this opportunity to do it came up, to be Ash, I was just giddy ... because it is such an iconic part.”
Kwiatkowski is getting the opportunity to play Ash because of a small bit of good timing, namely the meeting of a ready-made production (the sets were built!) with a venue — the Pumphouse — that a while back, was about to shut its doors for a massive $12-million renovation.
What better way, thought Cochrane and Pumphouse producer Scott McTavish, to temporarily shutter the venue than by bringing back Evil Dead’s never-say-dead zombies and Ash for one last weekend fling?
Then, the Pumphouse scrapped the renovations.
“When the renovations fell through,” Cochrane says, “we still thought, ‘What the hell? Why not still do it? There’s no real reason not to.’ ”
Except for one big one: mid-August is not exactly theatre season.
“The (Calgary) Fringe is still on at that time,” Cochrane says. “There’s a bazillion (Evil Dead) fans (out there), who are not your typical September-to- May theatregoers. I mean — there’s lots of those, but there’s lots of others who will come see the show. And (so) we said, ‘Let’s do it (anyway).’ ”
After all, if the 2009 run — it launched at the end of May and was so popular it was extended several times, right through Stampede — is any indication, Evil Dead is one of those musicals that inspires an unusual amount of passion in its audience.
For Cochrane, a large part of the explanation for what fuels such audience passion for Evil Dead: The Musical lies with the character of Ash.
“It’s (Ash) the schleprock,” Cochrane says, “nerdball guy who ultimately just goes off on what should be a normal weekend with a little bit of sex, and a little bit of booze and things go absolutely haywire. How does a person deal with a world that transforms so radically?
“In a way,” he adds, “we have a world now that’s full of uncertainties, and wars and horrors — things just go on and you go, what the f..k? How do I fit? How do I work in this? How do I somehow get through it and survive?
“I think the fact that Ash somehow finds it in himself to rise above this — I think that’s actually kind of powerful. Not to go all kind of processy and Daniel Day Lewis on you — but ... there’s an element of that in the story that touches people.”
Either that, Cochrane adds, or the show is just good old-fashioned, hot August fun.
“Let’s face it,” he says. “It’s just a big, dumb, goofy fun story, right? What the hell. Why not? I have never, and will never, apologize for being entertaining and making people laugh and giving them their money’s worth.”
Hit & Myth Productions and The Pumphouse present Evil Dead: The Musical at the Pumphouse Theatres. Tickets and info: 403-263-0079 or pumphousetheatre.ca.
shunt@calgaryherald.comtwitter.com/halfstep


Read more:http://www.calgaryherald.com/entertainment/Revival+Evil+Dead+Musical+killer+proposition/7095649/story.html#ixzz23jLziFvn